Posted by – November 2, 2017
My article “Mid-Nineteenth-Century British Crochet Hooks: A Story of Invention” has made its debut in the Nov/Dec 2017 issue of PieceWork magazine. It discusses early crochet hook designs and advances in steel technology that made them possible. Dating of hooks is backed by British patents including the patent numbers. Here’s a link to an excerpt from the article.
Posted by – September 11, 2016
There haven’t been many articles on crochet hook collecting published. One of the early ones was a magazine article in the June 1979 issue of Crochet World. It’s an interview with Bert Turriff of De Pere, Wisconsin, who collected old hooks using an ad in a trade magazine. You can read the entire article using the link below.
All Crochet Hooks Look Alike by Jean Ferenbach, Crochet World vol 2 no 2, 1979-06, House of White Birches.
All Crochet Hooks Look Alike reprinted by Nancy Nehring, Lace Buttons, www.lacebuttons.com, with permission of Annie’s Publishing, www.annies-publishing.com, 2016.
Posted by – August 12, 2016
The new issue of Vintage Crochet, a special issue of PieceWork magazine, has just been released. I’m thrilled to have an article on Irish Crochet, Bebe Irish Crochet – DYI Irish Crochet from Written Patterns, and two projects – Irish Rose Pillow and Pansy Pillow in the issue. My article discusses changes in Irish Crochet needed to move it from a commercial production technique for a finished product to a written pattern technique that could be worked by a single person.
For magazine purchase:
For digital purchase:
Posted by – December 3, 2015
Irish Crochet doll dress, crochet, cotton, Nancy Nehring, USA 2001
I created this Irish Crochet doll dress as an appreciation piece to see what it was like to make Irish Crochet on the scale used in the 1850s. It is worked with size 80 cordonnet for the motifs and size 100 for the mesh. These thread sizes would have been on the larger size of those used in the 1850s. Working in the 18″ doll format allows use of full-sized stitches while keeping the overall size down. Still the dress took over 300 hours to complete. The dress won the PieceWork Needleworker of the Year First Place in Crochet in 2001/2002.
Here’s where the appreciation comes in. First of all, I didn’t think it would take that long to make this dress and I’m a fast crocheter. I estimate a similar full-sized woman’s dress would have taken about 5000 hours. It also surprised me how much such a little dress weighed. I asked Maire Treanor about the weight and she told me that the Irish Crochet was made in a lightly twisted thread (similar to DMC floche). A tightly twisted thread like cordonnet weights much more than a loosely twisted thread like floche.
The pattern for the dress was published as Irish Crochet Doll: Annie’s Attic leaflet 872651 in 2001. I have a few copies left. Contact me at firstname.lastname@example.org if you are interested.
Posted by – November 10, 2015
I always wondered if any of my children would take up needlework when they became adults. They all learned basic sewing skills (as well as basic carpentry skills, cooking skills, etc.) as children but you never know which they will enjoy as adults. My oldest daughter, Carrie Merrell, has taken up quilting and her grandmother, Laura Nehring, would have been pleased. I think one of the things that appealed to both of them (and to me) in quilting is the math.
Carrie has just released her first ebook, the Quilty Math Workbook. It’s one of those books you look at and wonder Why Didn’t I Think of That? When I design a quilt, I spend hours figuring out how much of each fabric I need. And the next time I design a quilt, I start all over from scratch figuring out how much of each fabric I need. Carrie has organized the designing and math of a quilt into graphs and tables that you fill in as you go. The graphs help you visualize your developing quilt first as blocks and then as an entire quilt top. Then, as you work down each table, she has you apply simple math to the measurements of your quilt block to figure out how much fabric you need. And I use to figure out the math from scratch every time I designed a new quilt – Never Again! I’m using her workbook to keep my designs organized and the fabric calculations as simple and fast as possible.
Posted by – September 26, 2015
Crocheted African grey parrot amigurumi sitting on an outdoor trellis.
Crocheted African grey parrot amigurumi sitting on an outdoor trellis.
I’m always surprised at how many people in their 20s are picking up crochet. I guess I don’t notice it because most of the ones I meet are crocheting without patterns. Noelle, one of my daughter’s friends, made this African grey parrot to look like our real African grey parrot named Hermes. It is so lifelike that at least two of us in the family have tried to put the fake Hermes back on his perch! Noelle said she was thinking about putting some of her work up for sale on Etsy. I volunteered to teach her how to write patterns if she would rather sell patterns than finished items since she has never crocheted from a pattern herself. Hope she takes me up on my offer as her work is outstanding.
Posted by – August 16, 2015
I have three Romanian Lace Necklaces in the current Threads Around Holes at the Lace Museum. Join me and the other lace artists at the Celebration Party on September 11, details above.
Posted by – August 5, 2015
As my crochet hook collection grew over the years, I began grouping my hooks first by material the hook is made from (not the handle) and then by style. Most of the more ornate and delicate styles are steel needles or hooks used for thread work and are no longer made. I wondered if I could date them. I eventually found four sources of information useful in dating hooks: patents/registered designs, materials technology, company documents and packaging.
Patents and registered designs are the most accurate way to date crochet hooks. Either can date the first release of a hook. Patents are usually for innovations in technology such as US patent 572809 by Kippenberg in 1896 for the flat (grip, thumb rest) found on most hooks today. British registered designs or US design patents are usually for a decorative element such as the handle like the diamond mark, US design patent D52973, on the grip of the Peerless Novelty Company hooks.
Materials technology covers the methods of working steel to form a crochet hook. The goal is to make a hook better, faster and cheaper. Steel for the earliest hooks was made in small batches and the hooks were fashioned the same as sewing needles. Later innovations allowed steel to be made in large batches and later still to have the steel formed by stamping machines. Materials technology gives a broader date range as it took time for the industry as a whole to switch from one technology to another. A new company might have to be formed or an established company might have to retool before a new technology would be incorporated.
Major milestones in materials technology for crochet hooks included the changes from small batch steel to large batch steel (Bessemer process patented in 1856) seen in the shift from needles in separate handles to one piece hooks, improvements in tool steel that allowed rods to be stamped into hooks instead of hooks being cut into the rod and decorations worked by lathe turning, and the switch from stamping to swagging. A summary of the materials technology in table format is shown in this link. Associated technologies can also be used to date crochet hooks such as offset lithography on tinplate, usually associated with tin toys, used for crochet hook covers.
Company documents such as advertisements, wholesale catalogs, incorporations, mergers and even litigation over trademarks can provide information on the age of a hook or the length of time a particular hook was manufactured. Advertisements and wholesale catalogs usually only give spot data on when a hook was in production but don’t address when it was first or last made. Legal documents such as articles of incorporation and mergers may put outer limits on the dates a hook was made. British crochet hook manufacturers in the early 1800s were cottage industries. These small manufacturers and their brands might cease to exist after a generation or two or might be consolidated into larger companies such as Milward with logos and brand names being used by the purchasing company. Legal documents can date these events.
Packaging can sometimes by useful in dating crochet hooks especially modern hooks. Boxes holding a dozen hooks were used from about 1900 into the 1960s. In the 1960s C. J. Bates changed to individual blister packages for needlework tools and won several awards in the packaging industry. Most large companies followed suit. Changes in the packaging such as price, whether there is a zip code (see image of package without zip code), and changes in logos and trademarks can all help with dating. For the Clipson hook shown, the Clipson trademark was registered in December 1949 and zip codes were created in 1963 so this packaging is from between 1950 and 1963.
The Lace Museum, 552 S. Murphy Ave., Sunnyvale, California, is having a Mary Schiffmann’s Lacy Knitting ebook release party on Friday, June 5, 2015 from 7 – 9 pm as a part of their new First Friday series. The museum will have the knitted samples that were photographed for the book, a display of laces knitted by Mary herself from the museum’s collection, and a notebook of Mary’s family photos. And I’ll be there to fill in details and answer questions! Refreshments will be served and you will receive a discount code for 50% off Mary Schiffmann’s Lacy Knitting good until June 25, 2015.
While at the museum, check out the current display Lacy Beginnings celebrating lace finery for babies.
You can find Mary Schiffmann’s Lacy Knitting in the Interweave Press Store.
How exciting! My first ebook, Mary Schiffmann’s Lacy Knitting, has just been released by Interweave Press. The ebook contains over 20 knitting patterns collected by Mary Schiffmann, co-founder of the Lacy Knitters Guild. Mary collected lace knitting pieces and patterns her whole life and from many sources. She knitted up each pattern and wrote out the instructions. This might involve translating old instructions into modern terminology or creating instructions from scratch for an heirloom doily that someone loaned her. Included in the book are patterns from sources as varied as Mary’s great aunt’s handwritten notebook to patterns she created to express her love of astronomy.
If you are a beginning lace knitter, you can improve your skills by following along with Mary’s 10 session course on learning to knit lace. The course starts out with a simple edging and each subsequent class introduces a more advanced skill. The course outline, all of the patterns and Mary’s teaching notes are included.
You can find Mary Schiffmann’s Lacy Knitting in the Interweave Press Store. Use the code LACE50 to receive a 50% introductory discount. The coupon runs 6/1 through 6/25/2015.